梅·扎特林 Mai Zetterling

梅·扎特林

梅·扎特林简介

获奖情况

第43届威尼斯电影节 获得主竞赛单元 金狮奖 (提名)。获奖影视: 《阿莫罗萨》

第21届戛纳电影节 获得主竞赛单元 金棕榈奖(提名)。获奖影视: 《格拉斯医生》

第27届威尼斯电影节 获得主竞赛单元 金狮奖 (提名)。获奖影视: 《夜之游戏》

影人资料

Zetterling appeared in film and television productions spanning six decades from the 1940s to the 1990s. Her breakthrough came in the 1944 film Torment written by Ingmar Bergman, in which she played a controversial role as a tormented shopgirl. Shortly afterwards she moved to England and gained instant success there with her title role in Basil Dearden's Frieda (1947) playing opposite David Farrar. After a brief return to Sweden in which she worked with Bergman again in his film Music in Darkness (1948), she returned to England and starred in a number of English films, playing against such leading men as Tyrone Power, Dirk Bogarde, Richard Widmark, Laurence Harvey, Peter Sellers, Herbert Lom, Richard Attenborough, Keenan Wynn, Stanley Baker, and Dennis Price. Some of her notable films as an actress include Quartet (1948), a film based on some of W. Somerset Maugham's short stories, The Romantic Age (1949) directed by Edmond T. Gréville, Only Two Can Play (1962) co-starring Peter Sellers and directed by Sidney Gilliat, and The Witches (1990), an adaptation of Roald Dahl's book directed by Nicolas Roeg. Having gained a reputation as a *** symbol in dramas and thrillers, she was equally effective in comedies, and also was very active in British television in the 50s and 60s. She began directing in the early 1960s, starting with political documentaries and a short film called The War **** (1962), which was nominated for a BAFTA award, and won a Silver Lion at Venice. Her first feature film Älskande par (1964, "****** Couples"), based on the novels of Agnes von Krusenstjerna, was banned at the Cannes Film Festival for its sexual explicitness and nudity. Kenneth Tynan of The Observer later called it "one of the most ambitious debuts since Citizen Kane." It was not the only film she made that would stir up controversy for its frank sexuality (early pioneer on voyeurism). When critics reviewing her debut feature said that "Mai Zetterling directs like a man,"[3] she began

梅·扎特林最近作品

女巫观看 安杰丽卡·休斯顿、梅·扎特林 7.3
女巫

安杰丽卡·休斯顿、梅·扎特林

Morfars resa观看 马克斯·冯·叙多夫、梅·扎特林
Morfars resa

马克斯·冯·叙多夫、梅·扎特林

星期天追击观看 丹霍姆·艾略特、丽塔·塔欣厄姆
星期天追击

丹霍姆·艾略特、丽塔·塔欣厄姆

梅·扎特林最受好评作品

女伶们观看 毕比·安德松、哈里特·安德森 8.1
女伶们

毕比·安德松、哈里特·安德森

夜之游戏观看 英格丽·图林、约根·林德斯特伦 7.8
夜之游戏

英格丽·图林、约根·林德斯特伦

弃船观看 泰隆·鲍华、梅·扎特林 8.3
弃船

泰隆·鲍华、梅·扎特林

相敬如宾观看 哈里特·安德森、古内尔·林德布洛姆 8.0
相敬如宾

哈里特·安德森、古内尔·林德布洛姆